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Biography

M.A. Hochschule für Musik Freiburg (2nd M.A. / Electronische Komposition) 2023 - 2025

M.A. Hochschule für Musik Freiburg (1st M.A. / Neue Musik Komposition) 2021 - 2023 

B.A. College of Kyunghee Universität 2016 - 2020

Doyoon Yoon is a composer from South Korea, currently based in Freiburg, Germany. She has been composing music since the age of nine. Before moving to Germany, she studied composition with Junyoung Park at Kyung Hee University in Korea. She completed her first Master's degree in new music composition with Johannes Schöllhorn at the Hochschule für Musik Freiburg, followed by a second Master's degree in electronic composition with Alexander Grebtschenko at the same institution.

She is a highly active composer. Her works are experimental in nature, often incorporating live electronics and interactive elements, spanning acoustic, multimedia, and music theatere, with no boundaries. They follow a focused and unapologetically honest path, delving deeply into reflections on the world, such as identity, sexism, discrimination, and more. Her recent works blend these themes into her own unique color, approach, and language, creating deep and honest explorations with her distinctive sensibility and voice.

Her pieces were won the prizes and performed in Germany and Korea. She works with various ensembles, ensemble Recherche, Kompass, TIMF, SWR Experimentalstudio, Jean-François, a French-Canadian sound designer and many musicians.

She was also selected for a residency grant (Aufenthaltsstipendium) in composition at the SWR Experimentalstudio of the Southwest German Broadcasting Corporation, where she will be developing a new work in 2026. The piece is scheduled to be premiered at her solo concert in 2026.

Also was selected through the open call of the Darmstädter Ferienkurse 2025 and is currently working on an experimental new piece for saxophone, which will be premiered during the festival. 

One of her experimental pieces 'Generator - Opposite direction(2024)' duo for piano, violoncello and live electronics performed by ensemble Recherche with SWR experimental studio at the concert. This piece has received high praise not only from the composers but also from sound engineers, who recognize its artistic and technical value. This works broadcasted on the SWR Kultur radio on 15th October.

Her representative multimedia piece 'HiBarbie(2023)' for solo percussionist, visual and live electronic was performed multiple times and in ZKM in Next Generation X Electronic Music Festival. 

In Freiburg in Germany and Italia she exhibited visual and sound installations.

'Only in it without A and B(2021/22)', 'Schönes Licht  schönes Lied(2022/23) - Oper' these are her other experimental multimedia works.​ 'BOeING to Exit(2024)’ is for 8-channel fixed audio and new instrument Babel by Jean-François, a French-Canadian sound designer. She has also composed numerous acoustic works. 'Metamorphosis(2018)', 'Clickety-clack(2021)' and 'Sosein (2022)' are among her representative pieces, having been performed by Ensemble Project21AND, Ensemble Particle, and Ensemble Recherche. One of her piece ‘some resonance…어떤 울림…(2018)' was selected on Score Follower online library YouTube channel. This piece was won the prize at the 3.International Younghi Pagh Paan Composition Prize in 2018 and performed at Berlin Philharmonic’s Kammersaal as the winner. 

Works and Projects List, Awards

 

-2026         SWR Experimentalstudio Komposition Aufenthalt - Stipendium für 2026 erhalten

-2025         Darmstädter Ferienkurse

                  - Saxophone & Video/Live electronics 

                  - Musiktheater

 

-2024/25    'Gray (2024/25)' - for four female live performance voices with live-elektronics

                   and one pre-recorded female voice   

 

-2024/25    'GlitchB#tch (2024)' - Duo für Violine und Viola mit Live-Elektronik, 

                  Uraufführung durch Ensemble TIMF

 

-2024         'Generator-Opposite direction (2024)', Premiere by Ensemble Recherche & 

                  SWR Experimentalstudio in Schlossbergsaal

                  (Concert: on 29. 6. 2024 / Ausstrahlung on SWR Kultur Radio)

 

-2024         Totem Électronique: cooperation with canada sound designer Jean-François,

                  'BOeING to Exit (2024)', 8ch fixed audio with Babel (new instrument)               

 

-2024         ZKM Next Generation X Festival; multimedia piece 'HiBarbie (2023)' 

                  for solo percussionist, visuals and live electronics

-2023         'Desiderius (I desire) (2023)' sound installation in Montepulciano in Italy

 

-2023         Auftrag des ensemble Kompass für Solo Schlagzeuger, 'HiBarbie (2023)' Premiere 

 

-2023         'Pretty Barbie Girl (2023)' visual installation in Freiburg

 

-2022/23    Multimedia music theater 'Schönes Licht  schönes Lied (2021/22)' 

     

-2022         'Sosein (2022)' for five instruments, premiere by Ensemble Recherche

-2022         Multimedia work: 'Only in it without A and B (2021/22)'

                  Ver.1 (live streaming prerformance, 4ch fixed video & audio)

                  Ver.2 (4ch fixed video & audio)

-2022         '어떤 울림…Some resonance… (2018)' selected on Score Follower (online library)

              

-2021         'Clickety-clack (2021)' for piano trio, premiere by Ensemble Particle 

 

-2019         'Metamorphosis (2018)' for string trio, performed by project21AND  

 

-2018         '어떤 울림…Some resonance… (2018)'

                  2. Preis in 3rd Younghi Pagh-paan International Composition Prize;

                  Preisträgernzert des 3rd Younghi Pagh-paan International Composition Prize

                  in Kammermusiksaal Berliner Philharmonie

 

-2018         2018 Komposition Festival;  Nacht der elektronischen Musik und 

                  Nacht der koreanischen traditionellen Musik in Kyunghee Universität 

 

-2018         Forschungsarbeit; Die Teilnahme an fortgeschritten Klassenprogramm 

                  des Studiums Independent Learning & Research

 

-2017         2017 Komposition Festival Konzert in Kyunghee Universität

 

-2017         3. Preis im Wettbewerb der 28. Eumakjournal

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© 2035 by DOYOON YOON 

 

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